Oh Yeah! - Charlie Mingus - Música - Speakers Corner - 4260019716149 - 11 de fevereiro de 2022

Caso a capa e o título não sejam correspondentes, considere o título como correto

Conte aos seus amigos sobre este item:

Charlie Mingus
Oh Yeah! Charlie Mingus Speakers Corner edition

Preço

€ 36,99

Item sob encomenda (no estoque do fornecedor)

Data prevista de entrega 23 - 30 de jul

Receba avisos sobre novos lançamentos de Charlie Mingus

O que dizem nossos clientes:

Top-vurdering på Google Reviews, baseret på tusinder af anmeldelser.

Política de devolução de 14 dias, em conformidade com a lei europeia de proteção do consumidor

Melhor classificação na Trustpilot

Adicione à sua lista de desejos do iMusic

Ainda não avaliado

Oh Yeah!

Charlie Mingus

Speakers Corner edition

Commenting on this album in 1962, Billboard magazine wrote: »He seems to be everywhere, everywhere that is but on his usual instrument«. Charles Mingus, one of the most impressive musicians in the history of jazz, doesn’t play a single note on the bass for a change, but leads the band from his (blues-)piano – the instrument that he always used for composing. He hits the keys, he sings the blues, he shouts and he encourages – apparently Mingus really found the need to express himself loudly in this album. (Doug Watkins stood in for him on the contrabass.) "Oh Yeah" is definitely Mingus’s most powerful and passionate album. He calls on two hot, intensive saxophonists – Roland Kirk and Booker Ervin – as well as Jimmy Knepper on the trombone. Kirk is the main soloist, but all three wind-players deliver expressive improvisations, carrying out a non-stop dialogue with one another, and pushing one other to achieve maximum energy. The music is wild and ecstatic, but it’s not free jazz, remaining – as it does – grounded in blues and gospel. "Hog Callin’ Blues" is an enthralling shuffle with a wealth of riffs, "Devil Woman" a clever slow blues with inventive wind figures. "Ecclusiastics", with its constant change of rhythm and expression alternating between gospel and blues has the most complex form. Blues has always been a part of a black church service, said Mingus. "Eat That Chicken" (a homage to Fats Waller and his favourite food) even plays around with an old-time, Dixie feeling. Humour is never far away. Even in the atomic bomb song (this too, a sort of churchy blues) one hears the words: »Don’t let ’em drop it! Stop it! Be-bop it!«

Charles Mingus (p, voc); Booker Ervin (ts); Roland Kirk (fl, ts, siren, manzello, stritch); Jimmy Knepper (tb); Doug Watkins (b); Dannie Richmond (dr)

Recording: November 1961 at Atlantic Studios, New York City, by Tom Dowd and Phil Iehle Production: Nesuhi Ertegun

Mídia	Música VINIL LP (Vinil)
Número de discos de vinil	1
Lançado	11 de fevereiro de 2022
EAN/UPC	4260019716149
Gravadora	Speakers Corner SD1377
Gênero	Jazz
Dimensões	320 × 325 × 6 mm · 225 g
número de faixas	7