Matterhorn

Just more than a year ago, Heaters shepherded the release of Baptistina into the world, which itself followed their debut album, Holy Water Pool, by less than a year. Now, the Michigan-made music machine is set to lay claim to a new parcel of mountainous terrain, in the form of their latest release on Beyond Beyond Is Beyond, entitled Matterhorn. Its a relentless pace, made all the more impressive not by the infrequency with which its met by Heaters peers, but rather by the lasting quality of each release. In this way, Matterhorn is more of the samethirty-eight minutes of propulsive, precisely sculpted sonic signatures. In other crucial ways, however, Matterhorn represents massive change for Heaters: first, in the form of a largely revamped line-up, and second, in the form of an album whose wave crests above even the bands previous high-water marks of consistency. Short of attending group therapy together, its difficult to ascertain exactly what contributions these new sparks have contributed to Heaters overall sound, just as its impossible to dismiss how utterly ignited by change Matterhorn sounds as a result. If Baptistina showed a picture of a band attaining greater control over their quite-rideable waves of reverb and rhythm, Matterhorn is the master-class in its execution. Its a full-screen image of dawn, dusk and darkness, never scanned-and-panned, and never less than mesmerizing. At the risk of putting too fine a point on it, the landlocked levitation previously made possible via Heaters psycho-surf majesty is luminously leavened on Matterhorn, with the bright light of the jingle-jangle morning (which may or may not come following youbut will likely lead to repeat listens).