The Travellers. an Argument in Three Parts. Part I. the Night-watch. Part Ii. the Day-watch. Pt. Iii. the Repose.

Publisher Marketing: Title: The Travellers. An argument in three parts. Part I. The Night-Watch. Part II. The Day-Watch. Pt. III. The Repose. Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Fisher, Richard; 1857 [1845-57]. 8 . 1466.g.7. Contributor Bio:  Fisher, Richard Since the early 1950's I have been continually involved with visual arts: BA degree from Pennsylvania State University, fine arts major; MA degree from Columbia University, Teachers' College, fine arts major; Parsons School of Design, advertising curriculum: Brooklyn Museum of Art, oil painting with Reuben Tam; extensive professional experience in textile design, packaging design graphics, corporate identity programs, and finally teaching textile/surface design graphics for industry for 22 years at the Fashion Institute of Technology (State University of New York) in New York City. While at FIT, in collaboration with a fellow faculty member, Dorothy Wolfthal, we wrote the department textbook: Textile Print Design, Fairchild Publications,1987. In 1991 I was awarded Best-in-Show for Metamorphosis (Gallery 1) at the Peekskill, NY Armory Exhibition. Moving to Florida in 1997 I have been fortunate to have exhibited in numerous art venues including: a group show at the Rosemary Court Gallery in Sarasota, Intuitive Art, The Artist as Shaman in 2000; a one-man show at the Amy Adams Gallery in Ft. Pierce, 2000; a one-man show at the J. Rose Gallery in Ft. Pierce, 2004; a two-man at the LoPressionism Gallery in Melbourne, 2006; a three-man show in the Gallery at Avalon Island in Orlando 2008, and a one-man show at Florida Outsourcing Inc 2009, also in Orlando. I have exhibited five times at the Vero Beach Art Museum, Art by the Sea Exhibitions--two awards: 3rd place for digital art in 2007, and 3rd place in Mixed Media in 2009; and finally, two group shows at Gallery14 in Vero Beach, Small is Big 2008 and 2009. In June of 2009 I joined The Art Gallery of Viera, a co-op gallery of 26 artists and a gala opening June 19 & 20th. In the 1970's I began to develop my own unique approach to art and the creative processes. At the core of this work are drawing meditations--images rising from the unconscious mind. With the advent of sophisticated computer and print technology I shifted from paint and brush to digital art on the computer. Inspired by Carl Jung, (the psychology of the mind), Anton Erhnesweig (the education of vision), Henry Reed (Channeling Your Higher Self), Leonardo da Vinci (on creativity), and by artists such as Hieronymous Bosch, William Blake, Odilon Redon, Giorgio Morandi to name few, I continue to explore the unconscious mind and to draw forth MINDWORKS imagery.