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A View of the Origin, Nature, and Use of Jettons or Counters. Especially Those Commonly Known by the Name of Black Money and Abbey Pieces; ... with Copp
Thomas Snelling
A View of the Origin, Nature, and Use of Jettons or Counters. Especially Those Commonly Known by the Name of Black Money and Abbey Pieces; ... with Copp
Thomas Snelling
Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT058118Also issued as part of: 'Snelling on the coins of Great Britain', London, 1762-74. London: printed for T. Snelling, 1769. [2],2,16p., plates; 2
Mídia | Livros Paperback Book (Livro de capa flexível e brochura) |
Lançado | 29 de maio de 2010 |
ISBN13 | 9781170633496 |
Editoras | Gale Ecco, Print Editions |
Páginas | 34 |
Dimensões | 246 × 189 × 2 mm · 81 g |
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