Several Letters Between Two Ladies: Wherein the Lawfulness and Unlawfulness of Artificial Beauty in Point of Conscience, Are Nicely Debated. ...

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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British Library

T112490

Attributed to John Gauden. Also sometimes attributed to Jeremy Taylor and to Obadiah Walker. Editor's epistle dedicatory signed: C. G. A reissue, with a cancel titlepage, of: 'A discourse of artificial beauty', London, 1692, first published in 1656 as '

London : printed, and sold by Tho. Ballard, 1701. [24],238,[2]p. : ill. ; 12°